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by Yvette Depaepe
Published the 19th of May 2025
Anita Martin is an excellent fine art architecture photographer. Her love for modern architecture is continiously growing. She is drawn to straight lines, and minimalism. She quotes: "I am quite a perfectionist, and I think most architectural photographers are."
Read this interview to learn more about this charming lady and talented artist.
'Red and Yellow'
For many of us, photography is either a hobby or a way of life. So, how would you describe your relationship with photography, dear Anita?
Hello! I'm Anita Martin (AnnaPileaFotografie), born in Maastricht in the Netherlands in 1967. I started taking photographs in 2016, and after a few years of hard work, I am proud to say that I am an award-winning photographer on 1x.
Photography is a total relaxation for me. When I see the lines in a modern architectural building, I am excited first of all, and then I become completely absorbed in taking photos. I get into all kinds of positions to photograph the entire building or part of it (abstract), and I take great care to ensure the photos come out exactly as I want them to.
'A Little Green'
What has been the most important experience so far that has influenced your journey in photography?
From 2018 to 2022, I worked for a music magazine, taking photos at pop concerts, music festivals, and interviews with bands. During that time, I learnt a lot about exposure using existing light without a flash, and experimenting with my camera in different circumstances. I experimented with using a flash during interviews indoors and outdoors. It was a great experience. I stood next to the stage, enjoyed the pop concert and relaxed while taking photos that showed those who stayed at home what they had missed: captivating moments and the emotions of the musicians playing their instruments. After these four years, I decided to spend more time processing modern wall art. While photos for magazines had a deadline of 24–48 hours, I can leave post-processing my architectural photography until I feel inspired and have time.
'Green/Orange Grandstand'
If you are interested having a look at my concert photos, please use the following link:
https://instagram.com/anitamartin_concert
How do you nurture and develop your passion for photography?
I started out taking pictures with my mobile phone. I edited photos in different styles with Snapseed. The results looked super nice on Instagram on my phone. My husband pointed out the Canon EOS 6D in the closet, but I thought my phone was good enough. It's always with you, unlike that heavy camera. Nevertheless, I decided to take a basic Photoshop course. There, the teacher showed me my heavily edited photos on a TV screen, and I was shocked. I had never seen them on such a large screen before! They were full of noise and pixels caused by the extreme processing! Oh my God!
I learned to work with Photoshop and to use the contrast and sharpness sliders more carefully. While I was taking photos, my love for modern architecture grew and grew. I like straight lines, perfection, and undisturbed photography. Unlike nature, modern architecture doesn't change every season, and you don't have to give it directions like you do with portrait photography.
'Passing By'
Could you please describe your photographic philosophy in a few words?
What draws you to architecture and abstract photography?
I am quite a perfectionist, and I think most architectural photographers are too. The ones I have spoken to certainly are. I like modern architecture; I have no interest in history. I also like minimalism. The few nature photos I took were of the sea. I used a long shutter speed to make the water look smooth and minimalist. There is just one subject in the picture. It's also very fun and relaxing to do, and the results are nice.
'Breaking the waves'
Which is more important to you: the mood or story behind your images, or technical perfection?
Do you carefully prepare the locations where you intend to take photographs?
For me, as a photographer of modern architecture, technical perfection is very important. This is especially important when editing, for example when straightening buildings and making the architecture stand out perfectly. Nothing around the subject should be a distraction. I also carefully remove stains on the building and any rubbish lying around.
'Under The Parking Deck'
I create the mood through my use of colour. I love it when a building lends itself to colourful depiction.
'Number 25/27'
For example, on my way to Munich, I came across an orange bicycle shed made up of sleek, beautifully plastered blocks. I was so happy to come across this contrasting building! The orange colour really stood out against the dark black!
'Orange Details'
Indeed, I prepare the location before going to a place or town for photography. I walk from location to location in the hope of coming across something that hasn't been photographed before. Sometimes, before I visit, I take a look at Google Maps and walk through the streets to observe.
'The Black Corner'
'Eight In A Row'
What equipment do you use, such as cameras, lenses and bags?
I have a Canon EOS 5D Mark IV now and I usually use my Canon 24-70 f/2.8 lens. For abstract photography, such as a part of a building, I use my Canon 70-200 f/2.8. I especially use my Canon 16-35 2.8 for spiral stairs.
'Yelloo'
What software do you use to process your images?
I use Photoshop.
What is the most important advice you would give to a beginner in architecture and abstract photography, and how would you get started?
Look at lots of photos taken by other photographers and ask yourself what makes this photo so fascinating, or why it is not good or leaves you with an incomplete feeling. You can do this at photo exhibitions in museums, on different websites or here on 1X. It does not necessarily have to be an architectural photo. Learn how to compose a photo, make a subject stand out, how to expose correctly and the different perspectives you can use with different subjects. When photographing architecture, it is important to first frame your photo to see what the end result will be, but leave a lot of space around the subject because buildings still need to be straightened in post-processing. Buildings always appear diagonally in photos.
'Tunnel Vision'
Which photo from the last year is your favourite? Please tell us the story behind it.
I have a canvas print of 'Blue Swirl' hanging on my wall at home. I took this photo in a building in Maastricht and I have never seen it anywhere else, taken by another photographer. It's a very special staircase and a wonderful wall decoration.
'Blue Swirl'
The second canvas I have on my wall is 'Meeting Point', which was created in Munich. I got the most beautiful compositions by lying on my back and looking up at the high building located just outside Munich.
'Meeting Point'
And another one taken from this building, which isn't on my wall (I had to choose because I also try to keep my living room minimalistic)
'High End'
Furthermore, I actually prefer my colour photos. As I have been using fine art editing in recent years, and the results are usually shown in black and white by other fine art photographers, I try to distance myself from that approach. But also because I think colours stand out beautifully when I use good lighting to create a beautiful contrast.
I also started out with colour photography in 2016. However, some buildings simply do not have beautiful colours that can be used in my photos, and sometimes they are better suited to being edited in black and white, so I simply cannot avoid it.
One more favourite photo of mine is 'Colorful Facade', which is in fine art style but keeps the colours of the building and makes them stand out well in the whole image. It was taken in Eindhoven.
'Colourful Facade'
Actually, all the photos I post on 1X are my favourite ones. I don't say this out of arrogance; I only post photos that I think are award-worthy. If I post a photo that I don't fully support and it is published or even awarded, I won't be happy with the result purely because I don't think the photo deserves it. I don't gain anything from it if I don't like the photo myself.
'The Facade'
We're almost at the end of this interview, so I'd like to ask you about your future plans.
My future plans? I just want to keep taking photographs and visiting cities. You're never done learning. Not even with post-processing.
What do you think about using 1X as a home base for your work?
When I was starting out in photography, I used to look at the front page of 1X for inspiration. Now, many of my photos have been awarded recognition here, which gives me great satisfaction. I also sell my work through 1X, which is of course a testament to my hard work over the years. I taught myself photography by doing it a lot, looking up questions I had on the internet, and simply asking other photographers who were more advanced than me. When curating on 1X, you always wonder whether a photo is good enough to make the front page. You consider the composition, depth, light and mood. This helps you to look better at photos and to apply it to your own photography.
'Characteristic'
![]() | Write |
![]() | Nancy Lee PRO love the color tone! inspiring! Congratulation Anita! |
![]() | Anita Martin AnnaPileaFotografie PRO Thank you very much Nancy! |
![]() | Lou Urlings PRO De technische perfectie en het oogstrelende, in dit genre eerder zeldzame gebruik van kleur maken jouw creaties tot unieke beelden. Mooi dat je werk hier in de schijnwerpers staat! |
![]() | Anita Martin AnnaPileaFotografie PRO Dankjewel Lou! Heel blij mee! Warme groet! |
![]() | Gabrielle van den Elshout PRO Oogstrelend, en ongelofelijk mooi werk en postprocessing van zeer hoog niveau! Gefeliciteerd Anita voor dit bijzondere interview! |
![]() | Anita Martin AnnaPileaFotografie PRO Heel erg bedankt Gabrielle. Ben ik blij mee! Warme groet! |
![]() | Yanyan Gong PRO Absolutely stunning and perfection, congratulations dear Anita! |
![]() | Anita Martin AnnaPileaFotografie PRO Thank you so much! Much appreciated! Warm greetings! |
![]() | Desmet Patrick PRO Dikke proficiat met uw werk en dit zeer mooi interview Bravo hoor ! |
![]() | Anita Martin AnnaPileaFotografie PRO Superbedankt Patrick! |
![]() | Molly Fu PRO Such an excellent photographer, stunning art pieces, admire your images for a long time…congrats dear Anita, you deserve it!!! Thanks dear Yvette! |
![]() | Anita Martin AnnaPileaFotografie PRO Thank you so much Molly! Much appreciated! Warm greetings! |
![]() | Ursula Reinke PRO Dear Anita, your photographs are always a great inspiration and I really admire the perfectly composed views and brillant colors! Thanks for sharing, looking forward to seeing more! |
![]() | Anita Martin AnnaPileaFotografie PRO Thank you so much Ursula! Much appreciated! Warm greetings! |
![]() | Rana Jabeen PRO Dear Anita..I am following your work since a long time and I have always been fascinated by your perfectly presented images.. Its great to read your interview and get to know the ideas and thought process. My compliments to you.
Thank you so much Yvette for sharing this |
![]() | Anita Martin AnnaPileaFotografie PRO Thank you so much Rana! Much appreciated! Warm greetings! |
![]() | EMAN ABDELKADER fascinating. Just woow!!
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![]() | Anita Martin AnnaPileaFotografie PRO Thank you so much Eman! I like woows very much, because it comes straight from the heart! Much appreciated! Warm greetings! |
![]() | Giampiero Maffulli PRO Fantastic and great work |
![]() | Anita Martin AnnaPileaFotografie PRO Thank you so much Giampiero! Much appreciated! Warm greetings! |
![]() | Arnon Orbach CREW Mesmerizing modern architecture photography, so well composed and lighted with highly effective editing dear Anita. For me one of the finest architecture photographers. My warmest compliments. Thanks for sharing your story and works and thanks to Yvette for making it happen. |
![]() | Anita Martin AnnaPileaFotografie PRO Thank you so much Arnon! Much appreciated! Warm greetings! |
![]() | MingLun Tsai PRO Stunning composition in attractive tones with a drawing-like appearance!! Congratulations! |
![]() | Anita Martin AnnaPileaFotografie PRO Thank you so much Minglun! Much appreciated! Warm greetings! |
![]() | Jef Van den Houte CREW Mede de processing maken je foto's zo uniek Anita. En ik ben ook volledig akkoord 'that most architectural photographers are pefectionists' |
![]() | Anita Martin AnnaPileaFotografie PRO Zonder processing zou ik ze ook graag afleveren, maar jammer genoeg draait het toch steeds meer om een beetje extra door Photoshop. Is het licht contrastvol, dan hoef ik er vrij weinig aan te bewerken. Maar valt het uitje in de regen, dan is het mooie licht ver te zoeken en zullen we zelf moeten gaan knutselen. |
![]() | Wilma Wijers Smeets PRO Complimenten Anita. Geweldig werk en perfect afgewerkt! Gefeliciteerd! |
![]() | Anita Martin AnnaPileaFotografie PRO Dankjewel Wilma! Warme groetjes! |
![]() | sherry ma PRO Congratulations! Indeed, you are a perfectionist, and these amazing photographs are perfect! |
![]() | Anita Martin AnnaPileaFotografie PRO Thank you so much Sherry! Much appreciated! Warm greetings! |
![]() | Miguel Angel Vidal PRO Fantastic selection of captures in an interview as interesting as it is enriching... I really liked to know the path you have followed to achieve excellence... it is an example to follow for those who, like me, are beginners in architecture & abstract photography .... Blue Swirl and Colourful Facade are photographs with magic... impossible to look away from them...! |
![]() | Anita Martin AnnaPileaFotografie PRO You can learn a lot to look at other photographers photos, aspecially here on 1xcom. Thank you so much! Much appreciated Miguel! Warm greetings! |
![]() | Erhard Batzdorf PRO A fascinating presentation of your pictures, great architecture with extraordinary angles and fine colors. Congratulations and have fun with your photography, Anita! |
![]() | Anita Martin AnnaPileaFotografie PRO Thank you so much Erhard! Warm regards! |
![]() | jordiegeatorrent PRO I have enjoyed the beautiful images and the text. I feel identified with the message it conveys, because architectural photography has a universal and coinciding discourse among lovers of Fine Art Architecture photography. Congrats Anita. |
![]() | Anita Martin AnnaPileaFotografie PRO Thank you so much Jordie! Warm regards! |
![]() | Eric Chatelain PRO What a fantastic collection of masterpieces! Truly excellent and inspiring work, congratulations and thank you for sharing all this beauty. |
![]() | Anita Martin AnnaPileaFotografie PRO Thank you so much Eric! Warm regards! |
![]() | Lus Joosten PRO Great Work ! |
![]() | Anita Martin AnnaPileaFotografie PRO Dankjewel Lus! Warme groeten! |
by Editor Colin Dixon
Edited and published by Yvette Depaepe, the 16th of May 2025
This article is not a political statement but as a human I can see huge changes in the planet we live in and as a parent huge challenge for our children and grandchildren in the future.
The wild fires in California lately are the most recent example of the change in our climate over a small period of the planet’s history.
But there are many other extreme weather events
FLOODS
'Water World' (flooded plain, Slovenia) by Ales Komovec
STORMS
'Porthleven Washout' (Cornwall, England) by Carla Regler
DROUGHT
'Begging for rain' by João Coelho
TROPICAL STORMS (Hurricanes) more frequent and stronger
'Montana Supercell' (Canada) by Alexander Fisher
'Tropical Storm' by Rob Darby
Also of course FOREST FIRES
'Wildfires' by Rui Caria
Untitled by Antonio Grambone
RISING SEA LEVELS
Melting glaciers and ice sheets due to warming temperatures contribute to rising sea levels, threatening coastal communities and low-lying islands with flooding.
EXTINCTION OF SPECIES
Shifting climate patterns disrupt ecosystems, causing many species to struggle to adapt and face potential extinction. For example, the Coral reefs are currently under threat.
'Coral garden and the green turtle' by Barathieu Gabriel
We all have responsibility in how we can make changes to our lives but as with all of life’s big problems it is our political leaders and large corporations who have the biggest influence.
'Smoke signal' by Erhard Batzdorf
'Goodbye blue sky' by Ekkachai Khemkum
I believe that the biggest change will come from Innovation and Science.
We have seen so many changes already in a small period of time. For example.
Electric cars and the huge improvement in Batteries
· silicon anode lithium-ion batteries, where the silicon enables much greater capacity;
· solid state batteries, which overcome the traditional limitations of lithium-ion batteries;
· and NanoBolt lithium tungsten batteries, which are expected to provide longer charge times for electric vehicles.
Wind farms and solar power
'Wind turbines' by Joan Gil Raga
But many more different types are being worked on. Some will work and some will not of course but man’s constant need to innovate will hopefully come up with a brighter future. Here are just a few of the many ongoing innovations.
Tidal energy
Tidal energy production has the potential to provide vast amounts of clean energy, utilizing predictable tidal currents through methods like tidal streams, barrages, and tidal lagoons. Liverpool has announced plans to build the world largest tidal power project on the River Mersey; it could power more than 1 million homes for 120 years or longer. ( for more info )
Elevator generators
Power-generating brakes are familiar to anyone who drives an electric or hybrid car. Work is ongoing looking to install them on other things that stop frequently – like elevators/lifts. A new generation of elevator technology incorporates regenerative drives, which produce energy when the elevators are being lowered, particularly when they have a heavy load, See here. But this is just one of many ways of producing this type of energy being developed around the world.
Alternative uses for mushrooms
The scourge of un-environmental friendly packaging materials is being answered by alternatives such as those based on mushrooms and organic plant waste such as hemp and corn husks. This offers an alternative to unrecyclable plastic and foams.
Transparent wood
Well-designed windows help moderate a building’s temperature and power use, but conventional glass production is carbon heavy. Transparent wood, a new material made almost entirely of fast-growing balsa trees, is a sustainable alternative. Use of this in cell phones is also envisioned.
Solar Textiles
Flexible solar fabrics are thin, lightweight materials that can be integrated into clothing, bags, and other everyday items. These fabrics use thin-film solar cells or organic photovoltaics to generate electricity while maintaining the traditional flexibility and comfort.
Of course, we as photographers can use the above problems and solutions to be creative through our cameras and computers.
'Climate Change' by Esther Margraff
'Destruction of the environment' by Sulaiman Almawash
'Globe ice is melting' by Ben Goossens ✝
'Don’t leave our earth behind' by Colin Dixon
'Save the world' by Mas Heri
'Last hope' by Deniz Ener
'Future of Nature' by Mohammad Rasool Fahmani
'Global Warming' by Anugrah Askari
'Look after mother earth' by Colin Dixon
So, we all have hope.
'Hope' by Mike Melnotte
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![]() | Pang Teng Lin PRO Impactful images well done. Thank you for sharing |
![]() | sherry ma PRO So creative with such a meaningful topic! Very thoughtful curation, thanks to Colin and Yvette!! |
![]() | Gabriela Pantu PRO So impactful and strong article with brilliant collection of photographs!Congratulations to all the artists and many thanks dear Colin and dear Yvette for your great work.<3<3 |
![]() | Nice Photos |
![]() | YANGYING PRO Beatiful photo collection! |
![]() | Eiji Yamamoto PRO Thank you so much for a very meaningful article with great and creative photos, dear Colin and dear Yvette!! |
![]() | Colin Dixon CREW Thank you so much Eiji |
![]() | Dennis Zhang PRO Great collection! |
![]() | Colin Dixon CREW Thank you |
![]() | Pang Teng Lin PRO I informative with powerful and insightful images. Thanks for sharing . |
![]() | Colin Dixon CREW Thank you Pang and to the great images from your 1x friends |
![]() | Wanghan Li PRO Impressive, alarming and educational! Wonderful works showing the changing planet which needs to be taken care of each of us...Congratulations on the wonderful article too. |
![]() | Colin Dixon CREW Thank you |
![]() | Miro Susta CREW Very interesting write up Colin, but the subject of clean power generation is very complex, we need not only clean but also safe power production, without this we will experience more blackouts, se Spain, California, and similar. Electric cars need also el power, can you imagine how many Gw they would need if we convert existing car technology by el power? IMO the future is hydrogen.
Anyhow thanks for your contribution on this important subject and also many thanks for selection of most beautiful photos, and many thanks to Yvette for publishing it. |
![]() | Colin Dixon CREW Thanks Miro |
![]() | Rob Darby PRO Well-written and interesting article on the threats created by global warming and climate change. I am honored to have one of my images included with the excellent images curated for your article.
Congratulations Colin and Yvette for the fine article. |
![]() | Colin Dixon CREW Thank you and your welcome |
![]() | Very interesting article to show the effects of global warming through a beautiful selection of photographs, Thanks for this article to enhance awareness on this critical issue for all. Congratulations, Colin and Ivette. |
![]() | Colin Dixon CREW Thank you Francisco |
![]() | Elizabeth Allen CREW Congratulations, Colin, and thanks for showing how photographers can raise awareness of this crucial issue. Thanks also to Yvette as always. |
![]() | Colin Dixon CREW Thank you Elizabeth |
![]() | Yvette Depaepe CREW Thanks for your neverlasting appreciation, dear Elizabeth! |
![]() | Anna Cseresnjes PRO impressionnante collection !!! +++ |
![]() | Colin Dixon CREW Thank you |
![]() | Yvette Depaepe CREW Excellent, strong article, Colin! The selection of images is great, especially the amazing creations produced by our photographers using their cameras and computers. It's a wake-up call to us all.
Yes, we must all keep hoping. Cheers, Yvette |
![]() | Colin Dixon CREW Thank you Yvette and to all the amazing photographers we have in the community |
Tutorial led by Editor Michel Romaggi in collaboration with the author Tomoki Ishikawa
Edited and published by Yvette Depaepe, the 14th of May 2025
Your portraits are really great, Tomoki. What made you choose portraiture?
At first I approached photography from a purely business perspective. For example, I thought that taking pictures of models wearing power stone bracelets could help promote the bracelets. Over time, however, I became more and more fascinated by portrait photography itself. Now I just love experiencing art through portraiture. Of course, landscape photography also offers artistic expression, but it feels like "fishing" to me. You need patience to wait for the perfect moment and I realised that this style doesn't suit me very well. On the other hand, I have an impatient personality, and as a fortune-teller I am naturally good at communicating. In portrait photography, I enjoy the process of interacting with models and co-creating the work. Considering these factors, I feel that portraiture is my way of contributing to the world, which is why I continue to pursue it.
'Dissolve'
Some are natural and some are treated. What determines your choice?
Sometimes I decide during the shoot that a particular image will be manipulated, but more often than not, inspiration strikes when I am looking at the images. That's when I decide whether to keep them natural or to do some post-processing. I opt for a natural finish when I capture what I consider a "miracle shot" - a moment so perfect that adding anything else feels unnecessary. If altering it would diminish its impact, I leave it as it is. On the other hand, if I feel that the image has the potential to be even more expressive, I will edit it. Interestingly, my initial motivation for editing was simply to adjust details such as the model's eyes or nose - small refinements that sparked my passion for post-production.
Let's talk about the making of 'Beyond the light' for now.
Can you tell us the different steps to make it?
'Beyond the light'
This piece was taken in April 2021. The original photo actually features a woman lying on her back.
original
Colour Adjustments: I placed warm-coloured smoke both above and below, creating a sense of warmth and emotional depth. Meanwhile, the light entering her gaze was adjusted to a cooler tone, enhancing the mystical atmosphere.
after colour adjustment
I rotated the image to the left to create the composition where she appears to be gazing into the distance.
after rotation
The idea struck me when I accidentally dropped my phone while looking at the image, and it landed sideways on the screen. The unexpected perspective clicked instantly. This concept aligns with my monochrome work "Dissolve," where the subject appears to dissolve like smoke. I wanted to achieve a similar effect in a colour photograph, which led to this piece.
Equipment and settings
NIKON Z6II , NIKKOR Z 24-70mm f/2.8 S
ISO 6400, 57mm,F4,1/200 s
Technical Process: For this work, I used Photoshop brushes made from smoke images, applying them to specific areas of the model to make her appear as if she were dissipating. Layer masks and brushes helped refine the contours, while actual smoke overlays were added in difficult areas to create a seamless integration. Simply drawing smoke shapes can look unnatural, so I used blur filters strategically to maintain depth of field.
Composition Adjustments: The subject's gaze is crucial in this image. Before editing, the direction of her eyes didn’t connect well within the frame, making the composition feel disjointed. By adding light in the direction of her gaze, I created a sense of purpose and cohesion in the overall image.
in between stage
Upon reviewing the Photoshop file, I realized I had used over 80 layers for this piece. Though I am naturally impatient, I seem to enjoy meticulous work after all.
To end this most interesting tutorial, tell us about yourself and how you got into photography?
I am based in Japan and work in fortune telling and property investment. I am currently 34 years old and started taking photographs around 2021. I met 1X in November 2023. Originally, I was thinking of using YouTube to promote my fortune-telling business, and that naturally led to my interest in cameras. That was how I got into photography. Since I was going to make videos, I also wanted to make compelling thumbnails.
In May 2021, I shot the piece "Dragon Woman". From that moment on, I began to feel that photographs should carry a "message" beyond just visual appeal. This belief has only grown stronger since I joined 1X.
'Dragon woman'
'Woven into silence'
'Unravelling soul'
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![]() | Gila Koller PRO wonderful Art work Tomoki. Great article. Congrats! |
![]() | Tomoki Ishikawa PRO Thank you so much dear Gila ☺️🤍✨✨ |
![]() | Subhajit Das PRO Very creative and artistic work. Great article. Congratulations! |
![]() | Tomoki Ishikawa PRO Thank you so much 😍❗️✨✨ |
![]() | Masaki Yazaki PRO 素晴らしい作品の数々、いつも驚かされています。
Tomokiさん、おめでとうございます! |
![]() | Tomoki Ishikawa PRO まさきさん!ありがとうございます☺️❗️✨✨ |
![]() | sherry ma PRO so creative! Magnificant! |
![]() | Tomoki Ishikawa PRO Thank you so much 😍❗️✨ |
![]() | Emel Sefer PRO Congratulations.. |
![]() | Tomoki Ishikawa PRO Thank you so much ☺️✨✨❗️ |
![]() | garyholman PRO Very creative and artistic work, as well as an interesting read. Congratulations! Tomoki. Thank you! for sharing. |
![]() | Tomoki Ishikawa PRO Thank you so much dear Gary ☺️❗️✨✨ |
![]() | Ilan Amihai PRO thanks for share this beautiful works |
![]() | Tomoki Ishikawa PRO Thank you so much 😭❗️🤍✨ |
![]() | Heike Willers PRO Congratulaions, Tomoki! Beautiful and very creative work! Thank you for sharing. |
![]() | Tomoki Ishikawa PRO Thank you so much, dear Heike ☺️❗️✨✨✨ |
![]() | Molly Fu PRO "...photographs should carry a "message" beyond just visual appeal" Can't agree more...very creative and artistic, thanks for sharing your detail post-processing work, you are very talented, congrats! Thanks Michel and Yevette for bringing another excellent photographer to us! |
![]() | Tomoki Ishikawa PRO Thank you so much 😍😍😍✨✨❗️ |
![]() | Wanghan Li PRO Creative, artistic and imaginative...Great article with the great works. Best compliments! |
![]() | Tomoki Ishikawa PRO Thank you so much ☺️❗️✨✨ |
![]() | Eiji Yamamoto PRO Very inspiring! Thank you so much for sharing your techniques and the wonderful article! |
![]() | Tomoki Ishikawa PRO Thank you so much 😍❗️✨✨✨ |
![]() | MingLun Tsai PRO Exquisite skills, imaginative masterpieces |
![]() | Tomoki Ishikawa PRO Thank you so much ☺️❗️✨✨✨ |
![]() | 大山 儀高 PRO 智樹さん 素晴らしい表現力です!いつも見入ってます。おめでとうございます!! |
![]() | Tomoki Ishikawa PRO いつもご覧頂きありがとうございます😭❗️✨🤍 |
![]() | Cicek Kiral CREW Great Images...Thank you for sharing. |
![]() | Tomoki Ishikawa PRO Thank you so much 😍❗️✨ |
![]() | Gabriela Pantu PRO Congratulations, dear Tomoki, such a wonderful body of work, love your vision, and thank you for sharing your thoughts.As always, thank you dear Michel and dear Yvette for bringing it to us. |
![]() | Tomoki Ishikawa PRO Dear Gabriela,
Thank you so much for your kind words and warm support. I’m truly honored that you took the time to view my work and share your thoughts.
Many thanks again to Michel and Yvette for making this feature possible. |
by Yvette Depaepe
Published the 12th of May 2025
Liwen Tao travels a lot with her husband and 1x member HJ Yang. To her, the influences and learning from photo travels are endless. She quotes: I love nature! Nature is my soul! The wilderness is so pure! Nature heals us and provides us with the essential elements. By photographing landscape and wildlife, I can enjoy the wonder, peace and happiness and share it with others to achieve the same goal - to respect and preserve nature.'
Let's travel with her and learn in this this interview how she uses good light, colour, tone, emotion and atmosphere to create images that tell a story.
'Glory2!'
Dear friend, first of all I would like to thank you for taking the time to answer this questionnaire! First of all, please introduce yourself and tell us more about yourself, your hobbies or other projects you are involved in!
My name is Liwen Tao. I grew up in China. I have been living in the USA with my husband HJ Yang - also 1x member - for 40 years. We have two grown children. I have been a dental specialist (endodontist) for 33 years to relieve people's dental discomfort. In addition to photography, I enjoy playing tennis and pickleball, travelling and hiking.
I love all wildlife, but polar bears and emperor penguins in polar regions are my favourites as they are more vulnerable to climate change and human interference. In 2024, I published a children's book called "Yukio's First Day Out", which is filled with my original photographs of polar bear cubs and their mother, taken in Churchill and Baffin Island in Canada and Svalbard in Norway. By telling the story through the real photographs, I hope that future generations will appreciate what our generation can preserve for them.
My photo "We are A Big Family" taken in Antarctica has won the Highly Honoured/Polar Passion in Nature Best Photography 2024.
'WE ARE A BIG FAMILY'
“Everyone wants Mom’s Love” also taken in Antarctica won Polar Passion in Share The View in 2023.
'Everyone wants Mom's Love'
When and how did your photographic journey begin?
Ten years ago I had no knowledge of photography. I liked travelling as a family activity and for my own relaxation. When we visited Egypt, we couldn't get our programmed camera to work. I decided to learn! Then I took photography classes at the community recreation centre, where I learned the basics of ISO, shutter speed and aperture. With a busy job and family, not much progress in 2 years. Then one of my friends introduced me to a local camera club (Tampa Bay Camera Club). The monthly photo show opened my eyes! Mr Robert Rostick became my teacher. His guidance and critiques are the most important in my photographic journey. At the same time, my husband (https://1x.com/hjyang/overview) has always joined me to learn and travel together. My family and friends always appreciate and encourage my photography.
'madly in love'
For many of us, photography is either a hobby or a way of life. How would you define your relationship to photography?
In the beginning, photography was just a challenge to myself to learn something new. Then it became a hobby to relax and enjoy outside the work environment. Now I feel that photography is part of my life! In my spare time, if I am not out shooting, I will be doing post processing or learning from others by watching YouTube, videos or other media related to photography.
'Lovely Moment'
What would you say is the most important experience that has influenced your steps in photography?
Every time we travelled we met different photographers. Each photographer has their own unique experience. So many exchanges from many trips have really influenced me, no matter if they are famous photographers or average amateur photographers, from small technical tips to inspiring presentations and stories. The influences and learning from photo travels are endless.
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You have a very unique style. Why are you so drawn to landscape and wildlife photography?
I love nature! Nature is my soul! The wilderness is so pure! When I smell the fresh air, listen to the birds singing, watch the loving interactions between mother and baby, I feel like I am in another world! Nature heals us and provides us with the essential elements. By photographing landscape and wildlife, I can enjoy the wonder, peace and happiness and share it with others to achieve the same goal - to respect and preserve nature.
'ice sprouts'
What is more important to you, the mood/story behind your images or technical perfection?
The mood/story behind the images is more important than technical perfection. However, technical perfection can help the mood/story. The painter has to know how to use the brush in the right place with the right colour to tell the story.
What is your relationship to your subject matter in general, beyond being an observer?
Do you carefully prepare the places you want to photograph?
I am a visitor to my subject. I have to respect my subject when I observe it.
All my wildlife photographs have been taken in the wilderness with guides. There are rules we have to follow, such as 100m from polar bears, penguin highway, etc. I often wish I could get better angles.
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Describe your overall photographic vision.
To use good light, colour, tone, emotion and atmosphere to create images that tell a story and influence others.
'sunset and sand dune'
What do you think are the main characteristics of a successful landscape photographer?
The main characteristics of a successful landscape photographer are that they love and respect nature and inspire others to love nature through their heart touching images. They are willing to go to the most remote and difficult areas and overcome tons of obstacles to get the eye-opening shots. They are also able to find amazing beauty in their own backyard.
'Morning at Florida Coast'
Could you please tell us more about your workflow from idea to final product?
My normal workflow is quite simple. After downloading the images from the memory card to the external drive, I import the images into Lightroom. Most of the post processing is done in Lightroom, especially for wildlife. For landscape I use Photoshop more. I don't use any plug-ins except for the Topaze sharpening tool.
'Going'
Where do you look for inspiration and what inspires you the most?
1X is the first place I look. I also look at Marc Adams and Paul Nicklen's Instagram. What inspires me is that there are so many great images with their own personality and creativity. I have to keep learning and practising.
'storm is coming'
Many people think that the equipment is not very important when the passion for photography is strong. But could you please tell us what equipment you use (camera, lenses, lighting, tripod, etc.)?
I use Nikon Z8 and Z7ii for landscapes, Z9 for wildlife. For wildlife I use Nikon Z 400mm with 1.4 TC f 2.8 and Nikon Z 100-400mm f 4.5-5.6. Nikon Z 14-24mm f 2.8, 24-70mm f 2.8 and 70-200mm f 2.8 are used for landscape. RRS tripod is my first choice. I don't use any light source other than natural light.
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What is your favourite photo? Please tell us the story behind it.
"We are one big family" is my favourite photo. The day started with a sunny blue sky with no wind at Snow Hill, Antarctica in 2018. It was an easy walk to the emperor penguin colony. We were informed that we could spend the whole day at the colony. In a few hours the wind got stronger and stronger. The snow was blown from the ground in a heavy blizzard. The sky came down quickly. "White Out" was announced. Everyone had to leave the colony at once. At that moment I went to the tent for a cup of hot drink, because my fingers were so frozen that I could not work. I had to walk over 1km against the crazy wind back to the colony to get my gear. Before I packed my gear at the colony, I saw this big family. I could not resist clicking the shutter.
'We are a big family'
'A big family'
Who are your favourite photographers or mentors whose work has influenced you and your photography?
My favourite photographer is Marc Adams. His philosophy and vision of photography has influenced me a lot. I have been on his photo tour a few times. It has helped me a lot.
Now that we are almost at the end of this interview, I would like to ask you to tell us about any plans or photographic projects you would like to be involved in.
I have collected a lot of pictures of emperor penguins. I am planning to publish another children's book with my own photographs to bring the South Polar region closer to more people. I would like to be involved in any wildlife conservation photographic project.
Is there anything else you would like to add and what do you think of 1X as a home base for your work?
I would like to thank the 1X team and the 1X community for supporting me in my photographic publishing journey. It is a great honour and encouragement for me to have my images published and awarded on 1X. I love the critiques. 1X will always be my home base. I would also like to thank my local community for their support and love. I am grateful to Yvette for giving me this interview to share my photographic journey.
You're welcome, dear Liwen Tao ...
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'A Big Family'
'I can stand the wind storm'
'Alert'
'Glory2'
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![]() | Giovanni Cavalli PRO Wonderful works, my compliments! |
![]() | Gabriela Pantu PRO Brilliant body of work and such an impressive interview, dear Liwen, congratulations and thank you for sharing!Thank you dear Yvette! |
![]() | Rainer Neumann PRO excellent collection and interesting interview! |
![]() | Bing Li PRO Great collection and impressed, Congratulations. |
![]() | garyholman PRO Fabulous! collection of images. Congratulations! |
![]() | Anna Cseresnjes PRO wonderful collection ... congratulations |
![]() | Pang Teng Lin PRO Awesome capture |
![]() | Dennis Zhang PRO Excellent collection! Congratulations! |
![]() | John Fan CREW Congratulations! |
![]() | Excellent |
![]() | Wanghan Li PRO Beautiful works with the quality plus the inspiring article! Best compliments! |
By Editor Kimberly
Edited and published by Yvette Depaepe, the 9th of May 2025
'End of the Day' by Shunsuke Sadakata
We all recognize that true photography is more than just capturing what we see—it's about the ability to capture images that can each tell a story. And few subjects bring more natural drama, emotion, and symbolism into an image than the Sun and the Moon.
These celestial bodies aren’t just light sources—they're characters in your frame. They rise and fall, reveal and conceal, and they bring with them moods that can turn an ordinary photo into something impactful and unforgettable. An image with a narrative.
The Bold Storyteller
'Evening by the sea' by Erik Engström
The boldest storyteller is the sun and when it enters your frame, it's rarely subtle. It shapes the entire emotional tone of an image—whether it’s casting a long, golden shadow at dawn, lighting up the sky and washing the scene in brilliant shades of red, yellow and orange at sunset or washing everything in a brilliant light during midday.
'Morning at Mt. Begunjscica' by Mirko Potocnic
A sunbeam slicing through trees can evoke hope. A backlit silhouette at sunset can speak of mystery, change, or farewell. The sun doesn’t just light your scene; it writes a story for you to capture.
'Dreamy light' by NingYun Ye
Golden hour, with its rich warmth and forgiving shadows, is especially powerful for storytelling. It can add softness to a portrait, nostalgia to a landscape, or romance to a city street. The colour and angle of sunlight give you control over tone—whether you're telling a story of adventure, serenity, or transformation.
And sometimes, the absence of the Sun—just after it sinks below the horizon—tells its own kind of story. Blue hour brings cool, quiet hues that slow everything down. There's a sense of reflection, of things winding down, of waiting.
A Quiet Narrator
'Another new day' by Andreas Agazzi
Where the Sun is expressive and direct, the Moon is subtle and symbolic. It speaks in whispers, and invites you to shoot more than just a scene—it asks you to capture a feeling.
'Lonely Silence' by MingLun Tsai
The Moon can be mysterious, lonely, romantic, even eerie depending on how you frame it. A lone figure beneath a full moon might suggest isolation or wonder. A sliver of moon above the ocean can be the start—or end—of a journey. Its presence doesn’t dominate the image, but it adds depth, a sense of time passing, of something bigger happening. The presence of a large full moon rising highlights the relative insignificance of our world within the vastness of the universe.
'Night hedgehog' by Hamad
Its phases even offer visual metaphors—growth, fullness, letting go. And photographing the Moon well requires slowing down, planning ahead, and embracing the quieter moments of the night. In storytelling, that’s where a lot of its meaning lies.
A Shared Language
'Orbit' by Koto
The beauty of using the Sun and the Moon in your photography isn’t just visual—it’s symbolic. They can represent beginnings and endings, cycles and change, warmth and distance. They add narrative layers to your image without saying a word.
'Planet Rising' by Kimberly
Photographing a sun-drenched landscape tells one kind of story—maybe about vitality, hope, or clarity. A moonlit forest tells another—perhaps about solitude, dreams, or the unknown. The light they offer is more than just exposure; it’s emotional context.
When They Share the Stage
And then there are the rare, breathtaking brief moments when both Sun and Moon are in the sky together—during twilight hours, or on those magical days when a full moon rises just as the sun sets. These moments are like poems in motion, full of contrast and balance. In storytelling terms, they offer complexity: light and shadow coexisting, past and future overlapping.
'at night' by fotomarion
Eclipses, too, are cosmic drama at its peak. They’re fleeting, intense, and unforgettable—like the climax of a great story you’ve been waiting to capture. Some of the most breathtaking moments happen when the two meet. Think of a pale moon hanging in the pastel light of dawn, or a solar eclipse where day briefly becomes night.
'Solar & Moon' by Jianshu
Capturing these rare phenomenon gives us a sense of experiencing something much greater than ourselves and the little blue planet we share.
Let the Sky Speak
Photographing the Sun and the Moon isn’t just about getting the shot—it’s about listening to the story unfolding above you. Every sunrise hints at a beginning. Every moonrise suggests a chapter turning. If you let them, they’ll give your images more than beauty—they’ll give them meaning.
Here are just a few more wonderful images from our 1x members.
'Morning light' by Yuan Su
'Peace at night' by Tracy Lee
'In the moon that is always rising …' by Steven T
'Bell Tower' by Fan Lin
'Sunlight Through Ice' by Þorsteinn H. Ingibergsson
'Solitude at Sea' by Kenneth-Wei Zeng
'Dancing in the Moonlight' by Steven Fudge
'Moonlit desolation' by Jie Jin
'dead sea by night' by Ilan Amihai
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![]() | garyholman PRO Wonderful! and interesting article with Beautiful! images. |
![]() | Massimo Strumia PRO Beatiful photo collection! |
![]() | Steven T CREW Thank you, Kimberly and Yvette for a fascinating selection of photographs on this theme. |
![]() | Yaping Zhang PRO |
![]() | Gila Koller PRO Wonderful collection and very good article. |
![]() | Wanghan Li PRO Excellent works presented! So beautiful! |
![]() | sherry ma PRO Dear Yvette and Kimberly, Thanks for curating! What a wonderful article and collection of artworks! |
![]() | Eiji Yamamoto PRO Thank you so much for the inspiring article with very beautiful and great photos, dear Yvette and dear Kimberly! |
![]() | Izabella Végh PRO Bellissimo articolo, con fotografie eccezionale e non convenzionale. Grazie per autori. |
![]() | Fran Osuna PRO Excellent article and wonderful work. Congratulations to all the authors and editors. |
![]() | Subhajit Das PRO Excellent article and stunning collections. Congratulations to all authors. |
![]() | Heike Willers PRO Excellent article and great artwork! Thank you for sharing. |
![]() | Thanks for posting the photos!
It's a great magazine! |
![]() | Enorme trabajo! una colección increíble. Enhorabuena |
![]() | What an amazing article and photo gallery! Thank you! |
![]() | fotomarion PRO Thank you dear Kimberly that I'm part of this great collection ! |
![]() | Fan Lin PRO Thank you very much, Yvette and Kimberly! Great collections! |
![]() | Yvette Depaepe CREW Thanks for your appreciation, Fan Lin! |
![]() | Miro Susta CREW Excellent well presented subject, collection of most beautiful photos, thank you Kimberly, thank you Yvette and many thanks and appreciation to all contributing photographers. |
![]() | Yvette Depaepe CREW Thank you, Miro! |
![]() | Larry Deng PRO Very nice collections, contrats to all the artists.! Thank you dear Yvette and Kmberly for your hard work +++ |
![]() | Yvette Depaepe CREW Much appreciated, dear Larry !!! |
![]() | MingLun Tsai PRO Thank you very much, Yvette and Kimberly! |
![]() | Yvette Depaepe CREW Our pleasure, MingLun Tsai ;-) |
![]() | Xiaomei li PRO The perfect combination of light and shadow |
![]() | Molly Fu PRO Stunning collections, congrats to all the photographers! |
![]() | sherry ma PRO Sun and Moon, vital and romantic! Congrats to all the Artists! |
![]() | NingYun Ye PRO Thanks a lot |
![]() | Ilan Amihai PRO nice and thanks |